Divya Delhi: Kyun...Ho Gaya Na! Aishwarya Rai, Chopra-Dixit. Her gaze evades the camera. Her dreamy, spaced-out personality balances Arjun's mischief. Kyun…Ho Gaya Na! is elegantly presented. The polished teak furnishings and lush greens outside (hiding Rai's cheekbones) refresh the picture. Excellent choreography, especially the Broadway-style “Pyar mein sau uljhane” portion. The second half disappoints actors and spectators. Everything falls apart as Mr. Bachchan arrives. The megastar's role as a busy, devoted uncle to Aishwarya and her family is minor. Uncle's loud bravado interrupts when you want the lovers to reconcile (like Saif and Rani in “Hum Tum”). Cupid never looked dumber. Kids' sweet scenes annoy. As Arjun overcomes his fears of romantic love, you desire a more romantic tempo. Second-half narration is useless. Oberoi and Bachchan's drunken love confessions and dance offend. You think fate hurts lovers. But the scriptwriter is worse. Fans adore first-half games, but second-half games spoil everything. For joy, see the would-be lovers as Arjun and Diya instead of Vivek Oberoi and Aishwarya Rai. Not the first film to approach gender conflict from contrary perspectives. Madhuri Dixit was beautiful and lovelorn in Yash Chopra's Dil To Pagal Hai, seeking perfect love. Born from the Chopra-Dixit relationship in Kyun-Ho Gaya Na!, Aishwarya Rai. Her eyes skip the camera. The sleepy, spaced-out girl contrasts well with Arjun's joyful prankster attitude. Rai, Oberoi, and his screen dad, Om Puri, had well-written dialogue. Vivek Oberoi and Subhash K Jha discuss Kyun. Ho Gaya.” An unusual romance film. I play an exuberant character in this charming film. Unethical people. She wants a Mills & Boon-style lover to sweep her off her feet. Love doesn't concern Karan.