Divya Delhi: Toilet: Ek Prem Katha producer Prerna Arora returns after eight years. She believed the film enhanced rural women's hygiene. After being intrigued by Sahir Ludhianvi's quest for a better tomorrow, we cheer and stomp in Pyasa and Phir Subah Hogi. Madhav's conflict doesn't reform like our heroes'. With minimal self-congratulation, Dharmendra marries the rape victim in Satyakam. Ek Prem Katha compares Akshay Kumar's toilet to the Taj Mahal. Who should despise self-promotion more? Modi politics or Moghul history? The theatrical drama has too many self-congratulations, heroic hurrahs, and over-punctuated background music. Akshay Kumar means business. Instead of Swachh Bharat, this film glorifies Akshay. Madhav's humorous lines make him a smooth Basu Chatterjee hero. Director Shree Narayan Singh shows you don't need sinew to shine in every frame. Present Basu Chatterjee and Hrishikesh Mukherjee. His hygiene and sanitation jokes aren't toned down. The village women's sorority leaves for nature with a delightful giggle. Films can address social issues without appearing pitiful. In the film, Narayan acts. He controls his characters' feelings. Drama highlights delight him like ice cream for kids. He navigates curves in this dramatic tale of a man fighting ‘sanskar’ (not the censor board-approved version) to build a toilet for his wife.