Divya Delhi: Traditional and modern clash sound like harmonium-synthesiser. Subhash Ghai's 26-year-old Taal is mediocre. Taal has awkwardly aged. The line between sincere and touristy is narrow for tourists.Fun A R Rahman music. I always felt Ghai was a great guitarist but a dull storyteller. Use of Rahman's music makes me want Parampara Sanskar to end.Traditional and modern clash sound like harmonium-synthesiser. Why not songs? They depict Ghai's brief glory before he conspires with OP Ralhan's modernized Rajendra Kumar and Sharmila Tagore, the shehar ka chokra Manav (Akshaye Khanna) and the gaon ki gori Manasi (AAlthough city-bred and sexually aware, Manav is raw. She is “pure” and “innocent.” Ghai danced alone in Chambal rain.Manasi warns against voyeurism existentially. Neither is urban sassiness. After businessman Amrish Puri insults Manasi's father (sanskari Alok Nath, subsequently in the MeToo net), she leaves Manav to become a successful singer-performer taught, mentored, and lusted after by Vikrant.Vikrant struggles to tell Manasi, "If you can't have him, why can't you have me-wait-and-watch". Kapoor and Rai portray the screenplay's weakest parts. These two should fight. Kapoor and Sridevi featured in Taal. Cold chemistry between Rai and Kapoor kills their relationship. Sometimes Akshaye Khanna has heroine chemistry? He liked himself to heroines.Taal, arrogant shark historical diary.Its feet got stuck in the gobar while wading in Arcadia and laughing at the mall.