Divya Delhi: You know project films. The production house owner and key team members decide if they need a romantic, comedic, or both, with a little of thriller, in corporate offices. In this procedure, a renowned filmmaker from the production house, who doesn’t even have to direct the picture, promotes it with his name and advises developing a plot based on a one-night drama.The project is locked, and the names of successful performers are mentioned. Funds are authorized, and the search begins—for the story and a director who can bring it to life within a predetermined budget, ensuring profits for both the producer and the team.Dhoom-Dhaam is one of Aditya Dhar's films, who has his own production studio and has made Uri and Article 370. He learns about a boy and girl who are opposites. Their marriage is arranged and placed in a melodramatic family comedy. On their wedding night, right before their suhagraat, a mysterious entity named Charlie enters their lives, followed by thugs, cops, and As they search for Charlie throughout the night, there’s plenty of drama; the bride and groom feel nervous about their secrets being revealed, but by sunrise, they grow closer, and the mystery of the elusive Charlie, who could be a person, place, or object, is solved, and the criminals are punished.He proposes this story to Netflix, which is moderately interested. Yami Gautam, who has an in-house deal with Aditya Dhar, is the film's face. After the story and heroine are set, director Rishab Seth, who made 'Cash' before 'Dhoom-Dham,' is hired. The writing is polished, with connections to global cinema and a hint of feminism. The film is shot at a half-built complex, a farmhouse in Mumbai, and at night in Churchgate, all under a fixed budget.These initiatives, which come from corporate tables, aren't films but are guaranteed to entertain for a set price. It’s like ordering Shahi Paneer or Chicken Korma at a restaurant - both have the same gravy and typical taste. The screenplay description has been given, and the cinematography is good. The songs are forgettable; you won’t remember them after viewing the film.The outstanding actresses, Yami Gautam and Pratik Gandhi, are the faces of this film. But like project films, the work done in these films is only for money. Even top stars have 10–15 such flicks. Aijaz Khan has tried to make a difference and has succeeded. The other characters, including Yami and Prateek’s on-screen families, are just passing through with this passing film.You can watch something light and fun if you're lazy on a weekend